sábado, 2 de abril de 2016

glxy

Barnhart sauntered right into the middle of them. He covertly watched the crew close in around him and he never twitched an eyelash. Officers must never panic, he reminded himself, and manipulated the morning sighting on the nearest sun through the Fitzgerald lens. It was exactly 900:25:30, Galactic Time.
He jotted the reading in, satisfied. The warm breath tickling the back of his neck was unnerving. If he showed fear and grabbed a blaster from the locker he could probably control them, but he was devastingly aware that a captain must never show fear.
"Captain Barnhart," Simmons, the mate, drawled politely, "do you still plan on making the jump at 900 thirty?"
The captain removed his eyeglasses and polished the lenses.
"Simmons," he said in comforting, confiding tones, "you are well aware that regulations clearly state that a spaceship that phases in on a star in major trans-spot activity is required to re-phase within twenty-four hours to avoid being caught in turbulence."
"Yes, sir," Simmons said. "But, as I have stated before, it is my belief that regulation means that a ship should phase to avoid the possibility of being caught in an energy storm. We landed right in the middle of one. As you are aware, sir, if we phase now there is an excellent chance we will warp right into the sun!"
Barnhart shook his lean, bronze head wearily. "Simmons, the Admiralty has gone through this thousands of times. Obviously they know our danger is greater by staying where we are. Why, Ignatz 6Y out there may nova! We'll have to take our chances."
"No, sir." Simmons thrust his pale, blue-veined jaw at him, his light eyes Nordicly cold below a blond cropping. "The storm spots are dying down. We aren't phasing yet."
Barnhart drew himself up and looked down at the mate. Behind Simmons, York moved closer. The captain was suddenly aware of York's low forehead and muscular, free-swinging arms. It was probably sheer bias, but he had frequently entertained the idea that Englishmen were closer to our apelike ancestor than most people ... the way they ran around painted blue when everybody was civilly wearing clothes and all. Obviously York was incapable of thinking for himself and was willing to do anything Simmons commanded him to do.
It became transparent to Barnhart that they were going to mutiny to avoid following their duty as clearly outlined in regulations. Judging from York's twitching knuckles, they were going to resist by strangling him.
Barnhart wondered if this was the time to show fear and unlock a weapon to defend himself.
York clamped onto him before he could decide on the proper interpretation of the regulations and just as his mind settled on the irresolvable question: If a captain must never show fear, why was he given the key to a hand weapons locker to use when in fear of his life?

Barnhart gazed around the purple clearing with clouded eyes. He trembled in near traumatic shock. It was almost too much to bear.
Regulations clearly stated that no officer was to be marooned on a .9 Earth-type planet at fourteen-forty Galactic Time, early evening local.
Or (he brushed at his forehead) he was damned certain they at least strongly implied it.
But fear was such a foreign element to his daily routine he discarded it.
The scene took him back to his boyhood.
He sorted out the survival supplies, lifting even the portable nuclear generator effortlessly under the .67 gravity, and remembered how he used to go camping regularly every month when he was a Boy Scout. He had been a bookish child, too obsessed with reading, they told him. So he had put himself on a regular schedule for play. Still, it never seemed to make people like him much better. After he established his routine he didn't try to change it—he probably couldn't make things better and he certainly couldn't stand them any worse.
Barnhart paused in his labors and stripped off his soaked uniform shirt, deciding to break out his fatigues. As the wet sleeve turned wrong side out he noticed his wristwatch showed fifteen hundred hours.
As usual he fetched his toothbrush from the personals kit and started to scrub his teeth.
This was when he saw his first qurono in the act of geoplancting.
It was a deeply disturbing experience.

Barnhart and the lank, slick-bodied alien ignored each other every morning while the marooned captain had his coffee and the native chronoped; each afternoon while Barnhart laid down for a nap and the other xenogutted; and of course before retiring while Barnhart brushed his teeth and the alien did his regular stint of geoplancting.
The captain sat about arranging living quarters on the planet. The crew of the Quincey had provided him with every necessity except communications gear. Still he was confident he would find a way back and see that Simmons and the rest got the punishment clearly called for in Regulation C-79, Clause II.
This driving need to have the regulation obeyed was as close as he could get to anger.
His lot was a rough and primitive one, but he sat down to doing the best with things that he could. Using the nuclear reactor, he synthesized a crude seven-room cottage. He employed an unorthodox three-story architecture. This gave him a kind of observation tower from which he could watch to see if the natives started to get restless. Traditionally, this would be a bad sign.
Humming to himself, he was idly adding some rococo work around the front door when thirteen-hundred-thirty came up and he stopped for his nap. At the edge of the now somewhat larger clearing the alien was xenogutting in the indigo shadows of a drooping bush-tree. Since he hadn't furnished the house yet, Barnhart stretched out on the grass. Suddenly he sat upright and shot a glance at the alien. Could this sort of thing be regarded as restless activity?
He was safe so long as the aliens maintained their regular routine but if they started to deviate from it he was in trouble.
He tossed around on the velvet blades for some minutes.
He got to his feet.
The nap would have to be by-passed. As much as he resented the intrusion on his regular routine he would have to find some other natives. He had to know if all the aliens on the planet xenogutted each afternoon as he was having his nap.
The thought crossed his mind that he might not wake up some afternoon if his presence was causing the aliens to deviate dangerously from their norm.

The most unnerving thing about the village was that there were exactly ten houses and precisely one hundred inhabitants. Each house was 33.3 feet on a side. The surfaces were hand-hewn planking or flat-sided logs. There were four openings: each opposing two were alternately one foot and an alarming ten feet high. Barnhart couldn't see the roof. The buildings appeared square, so he supposed the houses were 33.3 feet tall.
At the end of the single packed, violet-earthed street facing up the road was a large sign of some unidentifiable metal bearing the legend in standard Galactic:
THIS IS A VILLAGE OF QURONOS
Barnhart received the information unenthusiastically. He had never before encountered the term. The sign might as well have told him the place was a town of jabberwockies.
The single scarlet sun with its corona of spectrum frost was drawing low on the forest-covered horizon. Barnhart, dry of mouth and sore of foot, had not encountered yet a single one of the hundred inhabitants. He had missed his nap and his dinner, and now (he ran his tongue over his thick-feeling teeth) he was about to miss his nightly brushing of his teeth. He had taken only a minimum survival kit with him—which did not include a smaller personals kit.
His wristwatch, still on good, reliable ship's time, recorded nearly fifteen hundred hours straight up. His body chemistry was still operating on the Captain's Shift, whereby he spent part of the time with both the day and night shifts. It was nearly time for him to go to bed. Fortunately it was almost night on the planet.
He was searching out his portable force field projector from some loose coins and keys when the one hundred quronos came out of their houses and began geoplancting.
Fifth Day Marooned
The Journal of
Captain T. P. Barnhart,
Late of the U.G.S. Quincey
It becomes apparent that I may never leave alive this planet whose name and co-ordinates have been kept from me. By reason, justice and regulations, the men who put me here must pay (see formal attached warrant against First Mate O. D. Simmons and the remainder of my crew). For this reason and in the interest of science I am beginning this journal, to which I hope to continue contributing from time to time, barring sudden death.
At this writing I am in a village of ten houses identified as a settlement of quronos. These tall, hairless humanoids have performed an intricate series of indescribable actions since I first encountered them. My problem, as is apparent, is to decide whether these actions constitute their normal daily routine or whether I have instigated this series of actions.
If the latter is the case: where will it all end?
1700: Fifth day
Barnhart was not used to being ignored.
It was certainly not a part of his normal routine. Often in his life he had been scorned and ridiculed. Later, when he earned a captaincy in the exploration service, the men around him had to at least make a show of respect and paying attention to him. Being ignored was a new experience for him. While it was a strange thing to say of an explorer, Barnhart didn't particularly like new experiences ... or rather he only liked the same kind of new experiences.
He kicked the wine-colored soil in red-faced impotence the first few dozen times quronos went silently past him on the way to gather fruit from the forest, or hew logs to keep the buildings in repairs (which seemed to be a constant occupation.)
However, when the twenty-fifth alien shouldered past him the morning after he first discovered the village, Barnhart caught him by the shoulder, swung him half around and slugged him off his feet with a stabbing right cross.
The alien shook his head foggily a few times and slowly climbed to his feet.
Barnhart bit at his under lip. That hadn't been a wise thing to do at all. He should know that unorthodox moves like that led only to certain disaster. He fumbled for his force-field projector, and with a flush of adrenalin discovered he had lost it.
Now, he thought, the alien will signal the rest of them. And they, all one hundred of them (now does that include the one I first saw in the clearing or not?) they will converge on me and—
The qurono marched off into the forest.
Everyone was still ignoring Barnhart.

Barnhart munched on a steak sandwich listlessly and watched the aliens through the faint haze of the force field.
He had found the projector half stamped into the earth and he was testing it. But even a test was foolish. None of them was close enough to him to harm him with so much as a communicable disease. He might as well quit roughing it and get back to the cottage.
In the last few days he had had time to think. He took up his journal.
Eighth Day
I can only suppose that these actions of the aliens represent some kind of religious ritual. Again I am presented with the problem of whether these rituals are a part of their normal, daily life, or are they a special series instigated by my presence?
Yesterday I observed two of the quronos repairing one of the village houses. The native lumber seems to be ill-suited to construction purposes. Several times I have noticed logs tearing themselves free and crawling back into the virgin forest. Due to the instability of their building materials the aliens are constantly having to repair their houses.
In watching the two quronos at work I observed something highly significant.
The humanoids worked smoothly as a team, splitting and planing down the reluctant logs with double-bladed axes. Then, putting the lumber in place, they fastened it down with triangular wooden pegs. They pounded these pegs home awkwardly with the flat side of the axes.
The axes are crude and obviously indigenous to the culture.
I view this with considerable alarm.
Obviously any culture that can produce an axe is capable of inventing the hammer.
The quronos are not using their hammers in front of me. I am producing a change in their routine.
Where will it end?
What are they saving their hammers for?
800: Eighth Day


Barnhart had written that just before dawn, but as usual the aliens had continued to ignore him. For all he knew the ritual might go on for years—before they used their hammers. Or whatever they were planning.
It was drawing near time for his nap, but he felt completely wide awake even inside the safety of the force field. His throat hurt and the backs of his legs ached with the waiting, the waiting for the natives to come out and begin xenogutting.
He wiped his hands together and forced a smile. Why should he worry what the natives did? He was completely safe. He could live out his life in immutable security.
But this wasn't his world. No part of it was his ... or at least only the part he had brought with him. Sanity lay in holding to what was left of his own world. But sanity didn't always mean survival.
What if he could make the quronos' world his own?
Barnhart wiped at the tiny stings against his face and his fingertips came away moist with beads of perspiration.
The aliens began marching out of the houses, in twos from the ten-foot doors, singly from the foot-square openings of every other facing wall.
It wasn't his world of fire-works-streaked Ohio summers and bold green hills, this planet cowled with nun-like secrecy, looking acrid, tasting violet and transmitting a beauty and confusion only a trio of physical scientists could solve.
But there was only one thing to do.
Barnhart let down his force field and went out.
The human body wasn't well-adapted for it but Barnhart did his best to join the quronos in xenogutting.
Instantly the cry welled up.
"Master."
Barnhart stood up and faced the aliens, deeply disturbed.

He was even more disturbed when, later, he wrote again in his journal:
Ninth day
"Qurono," I have learned from the Leader, is a term referring to a particular type of sub-human android. The synthetic process used in manufacturing these men does not allow them to develop beyond a certain point—a built-in safety factor of their creators, I can only suppose. Thus they were given the concept of the axe and have retained it, but they were able only to devise the idea of using the axe to hammer things with and are not capable of thinking of a special hammering tool.
With almost complete lack of creative ability they are bound to the same routine, to which they adhere with an almost religious fanaticism.
Since last night I have been treated as virtually a god. I have been given one of their buildings entirely for my own use.
I find this turn of events absolutely surprising. I intend to discuss this with the Leader today. (Note to any ethnologist who may see these papers: Since all quronos are built to the same standards none is superior to another. But, recognizing the need for one director, each of the one hundred has an alternate term as Leader.)
900: Ninth day
Despite the upsetting turn of events Barnhart decided he was more comfortable in his familiar role of command.
He glanced at his wristwatch and was surprised to note that he had overslept. The time for both breakfast and chronopting was past. He made himself ready and left the building.
The alien was waiting just outside the door. He looked as if he hadn't moved all night. Yet, Barnhart thought, he seemed a trifle shorter.
"Are you the Leader?" Barnhart asked.
"I am the Leader. But you are the Master."
As an officer of a close-confines spaceship that sounded a little stuffy even to Barnhart. The fellow still looked shorter. Maybe they had changed Leaders the way he had been told the night before. Or maybe quronos shrank when left out in the night air.
"Let's go someplace where we can sit down. And, incidentally, just call me 'sir' or 'captain.'"
"Yes, sir."
Barnhart nodded. He had been expecting: Yes, Master, I will call you 'captain.'
But the alien didn't move. He finally decided that the Leader thought they could sit on the ground where they were standing.
Barnhart squatted.
The Leader squatted.
Before they could speak a muffled explosion vibrated the ground and Barnhart caught a fleeting glimpse of an unstable chemical rocket tearing jerkily into the maroon sky.
"Celebration for my arrival?" Barnhart asked.
"Perhaps so. We are putting the un-needed ones in status."
He decided to let that ride for the moment.
"Tell me, why didn't you recognize me before I joined you in your—ritual, Leader?"
The alien tilted his head. "What was there to recognize? We thought you were some new variety of animal. Before you xenogutted how were we to know you were rational life?"
Barnhart nodded. "But how did you so cleverly deduce that I was your Master?"
"There are one hundred of us. You were the one hundred and first. You had to be the Master returned."
The Master had been some friendly lifeform in the Federation, obviously. Otherwise the qurono androids wouldn't speak Galactic. Barnhart nibbled on his under lip.
"I want to find out how much you still know after the Master has been away so long," the captain said. "Tell me, how do you communicate with the Master?"
"What for?" The Leader began to look at Barnhart oddly.
"For anything. Where's the sub-space radio?"
The direct approach produced a rather ironic expression on the qurono's narrow face but no answer. But if there was a radio on the planet Barnhart meant to find it. Spacemen forced to abandon their craft were required to report to the nearest Federation base as quickly as possible. Besides, he meant to see that Simmons and his Anglo stooge and all the others paid for their mutiny. But, he decided, perhaps he had better not press the matter at the moment.
Another rocket punctuated the moment of silence.
"Take me to your launching area," Barnhart said.
The android stood up and walked. But he walked at Barnhart's side, forcing the captain to catch his stride a half-step to let the alien lead him. He wasn't sure if it was a mark of respect not to get ahead of the Master or an attempt to see if he knew where the launching site was located. The quronos were limited, but just how limited Barnhart was beginning to wonder.

Gunteberg

His first concert, given at the age of four, was an amazing spectacle. Respected critics refused to believe that Freem was as young as his manager (an octopoid from Fomalhaut) claimed, and were satisfied only by the sworn affidavit of Glerk, the well-known Sirian, who was present at the preliminary interviews.
Being a Sirian, Glerk was naturally incapable of dissimulation, and his earnest supersonics soon persuaded the critics of the truth. Freem was, in actuality, only four years old.
In the next eight years, Freem concertized throughout the Galaxy. His triumph on Deneb at the age of six, the stellar reception given him by a deputation of composers and critics from the Lesser Magellanic Cloud when he appeared in that sector, and the introduction (as an encore) of his single composition, the beloved Memories of Old Age, are still recalled.
And then, at the age of eleven, Freem's concerts ceased. Music-lovers throughout the Galaxy were stunned by the news that their famed prodigy would appear no longer. At the age of twelve, Freem Freem was dead.
Terrans have never felt this loss as deeply as other Galactic races, and it is not difficult to see why. The standard "year" of Dubhe IV equals 300 Earth years; to the short-lived Terrans, Freem Freem had given his first concert at the age of 1200, and had died at the ripe old age of 3600 years.
"Calling a 1200-year-old being a child prodigy," states the Terran Dictionary of Music and Musicians, rather tartly, "is the kind of misstatement up with which we shall not put."
Particularly noteworthy is the parallel attitude expressed by the inhabitants of Terk I, whose "year" is approximately three Terran days, to the alleged "short" life of Wolfgang Amadeus Mozart.

MAY 12: Wilrik Rotha Rotha Delk Shkulma Tik was born on this date in 8080. Although he/she is renowned both as the creator of symphonic music on Wolf XVI and as the progenitor of the sole Galactic Censorship Law which remains in effect in this enlightened age, very little is actually known about the history of that law.


The full story is, very roughly, as follows:
In 8257, a composition was published by the firm of Scholer and Dichs (Sirius), the Concerto for Wood-Block and Orchestra by Tik. Since this was not only the first appearance of any composition by Tik, but was in fact the first composition of any kind to see publication from his planet of Wolf XVI, the musical world was astonished at the power, control and mastery the piece showed.
A review which is still extant stated: "It is not possible that a composition of such a high level of organization should be the first to proceed from a composer—or from an entire planet. Yet we must recognize the merit and worth of Tik's Concerto, and applaud the force of the composer, in a higher degree than usual."
Even more amazing than the foregoing was the speed with which Tik's compositions followed one another. The Concerto was followed by a sonata, Tik's Tock, his/her Free-Fall Ballet for Centipedals, Lights! Action! Comrades!, a Symphony, an Imbroglio for Unstrung Violin, and fourteen Wolfish Rhapsodies—all within the year!
Scholars visited Wolf XVI and reported once again that there was no musical history on the planet.
Success, fame and money were Tik's. Succeeding compositions were received with an amount of enthusiasm that would have done credit to any musician.
And Wolf XVI seemed to awaken at his/her touch. Within ten years, there was a school of composition established there, and works of astounding complexity and beauty came pouring forth. The "great flowering," as it was called, seemed to inspire other planets as well—to name only a few, Dog XII, Goldstone IX and Trent II (whose inhabitants, dwelling underwater for the most part, had never had anything like a musical history).
Tik's own income began to go down as the process continued. Then the astonishing truth was discovered.
Tik was not a composer at all—merely an electronics technician! He/she had recorded the sounds of the planet's main downtown business center and slowed the recording to half-speed. Since the inhabitants of Wolf XVI converse in batlike squeals, this slowing resulted in a series of patterns which fell within sonic range, and which had all of the scope and the complexity of music itself.
The other planets had copied the trick and soon the Galaxy was glutted with this electronic "music." The climax came when a judge on Paolo III aided in the recording of a court trial over which he presided. During the two weeks of subsonic testimony, speech and bustle, he supervised recording apparatus and, in fact, announced that he had performed the actual "arrangement" involved: speeding up the recordings so that the two-week subsonic trial became a half-hour fantasia.
The judge lost the subsequent election and irrationally placed the blame on the recording (which had not been well-received by the critics). Single-handed, he restored the state of pure music by pushing through the Galactic Assembly a censorship rule requiring that all recording companies, musicians, technicians and composers be limited to the normal sonic range of the planet on which they were working.
Tik himself, after the passage of this law, eked out a bare living as a translator from the supersonic. He died, alone and friendless, in 9501.

JUNE 4: The composition, on this date, in 8236, of Wladislaw Wladislaw's Concertino for Enclosed Harp stirs reflections in musical minds of the inventor and first virtuoso on this instrument, the ingenious Barsak Gh. Therwent of Canopus XII. Nowadays, with compositions for that instrument as common as the chadlas of Gh. Therwent's home planet, we are likely to pass over the startling and almost accidental circumstance that led to his marvelous discovery.


As a small boy, Gh. Therwent was enamored of music and musicians; he played the gleep-flute before the age of eight and, using his hair-thin minor arms, was an accomplished performer on the Irish (or small open) harp in his fifteenth year. A tendency to confuse the strings of the harp with his own digital extremities, however, seemed serious enough to rule out a concert career for the young flalk, and when an Earth-made piano was delivered to the home of a neighbor who fancied himself a collector of baroque instruments, young Gh. was among the first to attempt playing on it.
Unfortunately, he could not muster pressure sufficient in his secondary arms and digits to depress the keys; more, he kept slipping between them. It was one such slip that led to his discovery of the enclosed strings at the back of the piano (a spinet).
The subtle sonorities of plucked strings at the back of a closed chamber excited him, and he continued research into the instrument in a somewhat more organized manner. Soon he was able to give a concert of music which he himself had arranged—and when Wladislaw Wladislaw dedicated his composition to Gh., the performer's future was assured.
The rest of his triumphant story is too well known to repeat here. The single observation on Gh. Therwent's playing, however, by the composer Ratling, is perhaps worthy of note.
"He don't play on the white keys, and he don't play on the black keys," said Ratling, with that cultivated lack of grammar which made him famous as an eccentric. "He plays in the cracks!"

JULY 23: On this date, the Hrrshtk Notes were discovered in a welf-shop cellar on Deneb III.


These notes are, quite certainly, alone in their originality, and in the force which they have had on the growth of subsequent musicians.
To begin at the beginning: it is well established that Ludwig Hrrshtk, perhaps the most widely known Denebian composer, died of overwork in his prime. His compositions, until the famous T85 discoveries of G'g Rash, were almost alone in their universal appeal. Races the Galaxy over have thrilled to Hrrshtk's Second Symphony, his Concerto for Old Men, and the inspiring Classic Mambo Suite. It is, as a matter of fact, said that G'g Rash himself was led to his discovery by considering the question:
"How can many different races, experiencing totally different emotions in totally different ways, agree on the importance of a single musical composition by Hrrshtk? How can all share a single emotional experience?"
His researches delved deeply into the Hrrshtk compositions, and a tentative theory based on the Most Common Harmonic, now shown to have been totally mistaken, led to the T85 discoveries.
The Hrrshtk notes, however, found long afterward, provide the real answer.
Among a pile of sketches and musical fragments was found a long list—or, rather, a series of lists. In the form of a Galactic Dictionary, the paper is divided into many columns, each headed with the name of a different planet.
Rather than describe this document, we are printing an excerpt from it herewith:
DENEB IIITERRAMARSFOMALHAUT IISIRIUS VII
LoveAngerHungerSadnessMadness
HateJoyF'ritPrayerLove
PrayerMadnessSadnessFullJoy
VilbNPENon-F'ritGolkNPE
In completed form, the document contains over one hundred and fifty separate listings for race, and over six hundred separate emotional or subject headings. In some places (like the Terra and Sirius listing for Vilb, above), the text is marked NPE, and this has been taken to mean No Precise Equivalent. For instance, such a marking appears after the Denebian shhr for both Terra and Mars, although Sirius has the listing grk and Fomalhaut plarat in the desert.
Hrrshtk may be hailed, therefore, as the discoverer of the Doctrine of Emotional Equivalency, later promulgated in a different form by Space Patrol Psychiatrist Rodney Garman. Further, the document alluded to above explains a phrase in Hrrshtk's noted letter to Dibble Young, which has puzzled commentators since its first appearance.
Hrrshtk is here alluding to the composition of his Revolutionary Ode, which all Terra knows as the most perfect expression of true love to be found in music:
"It's a Revolutionary Ode to me, my friend—but not to you. As we say here, one man's mood is another man's passion."

SEPTEMBER 1: On this date in the year 9909, Treth Schmaltar died on his home planet of Wellington V. All the Galaxy knows his famous Symphonic Storm Suite; less known, but equally interesting, is the history and development of its solo instrument.


The natives of Wellington V feed on airborne plankton, which is carried by the vibrations of sound or speech. This was a little-known fact for many years, but did account for the joy with which the first explorers on Wellington V were greeted. Their speech created waves that fed the natives.
When eating, the natives emit a strange humming noise, due to the action of the peculiar glottis. These facts drove the first settlers, like Treth Schmaltar, to the invention of a new instrument.
This was a large drumlike construction with a small hole in its side through which airborne plankton could enter. Inside the drum, a Wellingtonian crouched. When the drum was beaten, the air vibrations drove plankton into the native's mouth, and he ate and hummed.
(A mechanical device has since replaced the native. This is, of course, due to the terrific expense of importing both natives and plankton to other planets than Wellington V for concerts.)
Thus, a peculiarity of native life led not only to the Symphonic Storm Suite, but to such lovely compositions as Schmaltar's Hum-Drum Sonata.

SEPTEMBER 30: The victimization of the swanlike inhabitants of Harsh XII, perhaps the most pitiful musical scandal of the ages, was begun by Ferd Pill, born on this date in 8181. Pill, who died penitent in a neuterary of the Benedictine Order, is said to have conceived his idea after perusing some early Terran legends about the swan.


He never represented himself as the composer, but always as the agent or representative of a Harsh XII inhabitant. In the short space of three years, he sold over two hundred songs, none of great length but all, as musicians agree to this day, of a startling and almost un-Hnau-like beauty.
When a clerk in the records department of Pill's publishers discovered that Pill, having listed himself as the heir of each of the Harsh XII composers, was in fact collecting their money, an investigation began.
That the composers were in fact dead was easily discovered. That Pill was their murderer was the next matter that came to light.
In an agony of self-abasement, Pill confessed his crime. "The Harshians don't sing at all," he said. "They don't make a sound. But—like the legendary swan of old Terra—they do deliver themselves of one song in dying. I murdered them in order to record these songs, and then sold the recordings."
Pill's subsequent escape from the prison in which he was confined, and his trip to the sanctuary of the neuterary, were said to have been arranged by the grateful widow of one of the murdered Harshians, who had been enabled by her mate's death to remarry with a younger and handsomer Harshian.

DECEMBER 5: Today marks the birthday of Timmis Calk, a science teacher of Lavoris II.


Calk is almost forgotten today, but his magnificent Student Orchestra created a storm both of approval and protest when it was first seen in 9734. Critics on both sides of what rapidly became a Galaxywide controversy were forced, however, to acknowledge the magnificent playing of the Student Orchestra and its great technical attainments.
Its story begins with Calk himself and his sweetheart, a lovely being named Silla.
Though Calk's love for Silla was true and profound, Silla did not return his affectionate feelings. She was an anti-scientist, a musician. The sects were split on Lavoris II to such an extent that marriage between Calk and his beloved would have meant crossing the class lines—something which Silla, a music-lover, was unwilling to contemplate.
Calk therefore determined to prove to her that a scientist could be just as artistic as any musician. Months of hard work followed, until finally he was ready.
He engaged the great Drick Hall for his first concert—and the program consisted entirely of classical works of great difficulty. Beethoven's Ninth Symphony opened the program, and Fenk's Reversed Ode closed it. Calk had no time for the plaudits of critics and audience; he went searching for Silla.
But he was too late. She had heard his concert—and had immediately accepted the marriage proposal of a childhood sweetheart.
Calk nearly committed suicide. But at the last moment, he tossed the spraying-bottle away and went back to Silla.
"Why?" he said. "Why did you reject me, after hearing the marvelous music which I created?"
"You are not a musician, but a scientist," Silla said. "Any musician would have refrained from growing his orchestra from seeds."
Unable to understand her esthetic revulsion, Calk determined there and then to continue his work with the Student Orchestra (it made a great deal more money than science-teaching). Wrapping his rootlets around his branches, he rolled away from her with crackling dignity.


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